ROTTEN

What an innovative concept~ This comment is for the series as a whole.

This series allows for experimentation of Classical aesthetics blended into the sensibilities of trendy, Modern characters. The designs, a chaotic amalgamation of Italic Harlequin, French Versailles-era Baroque/Rococo, & Futurist ideas of motifs & colour scheme strangely meld together and the overall costume structures logical; I can already see them as real-made dresses for both Performance fields & Cosplay. Leaving the eyes blank creates a sense of anonymity and privacy for the characters, two voids which really bring out the definition of "masque" in full context.

What's most impressive is the central symmetry of both forms, shapes & flow. While there are subtle differences of accent both Right and Left Sides of the portraits, its only realized when deeply studied and as a whole the forms and contours be it the costume design, flow of hair or angle of dress layers all have their individual showcase while blending & intertwining in a busy yet balletic sense of order. This "centralized focus" is mostly seen in religious Art, and despite the nature of the outfit origins, one can also associate a sense of ritual and otherworldly air emitted when concentrating on the artworks.

These series adds a formality within the stylish, both becoming one and providing a force overwhelming but also motivating. You now have full control of your craft and it would be interesting to see how this aspect affects your art-style & overall characters as well.

P.S. Really love how you did High's overall shoulderline, the softly sloping yet with internal strength directly evokes the physique of Classical sculpture & really showcases her vitality moreso than your other arts. Hope you can continue to maintain this...